latherr:

Legendary


Photo shoot inspired by Nancy Rohde.
White shirt Natalka Romanyuk
Styling Natalka Romanyuk
Photography Natalka Romanyuk

Photo shoot inspired by Nancy Rohde.

White shirt Natalka Romanyuk

Styling Natalka Romanyuk

Photography Natalka Romanyuk

Photo shoot inspired by Nancy Rohde.
White shirt Natalka Romanyuk
Styling Natalka Romanyuk
Photography Natalka Romanyuk

Photo shoot inspired by Nancy Rohde.

White shirt Natalka Romanyuk

Styling Natalka Romanyuk

Photography Natalka Romanyuk

Epitome of beauty. Non-gender specific

Epitome of beauty. Non-gender specific

Can’t get enough of Tilda Swinton

Can’t get enough of Tilda Swinton

maliciousglamour:

Revanche de la nuit, 1958 Photographer: Leo Dohman

maliciousglamour:

Revanche de la nuit, 1958 
Photographer: Leo Dohman

Helmut Newton

Helmut Newton

Helmut Newton. Androgyny. Endless source of inspiration.

Helmut Newton. Androgyny. Endless source of inspiration.

cavetocanvas:

Untitled (Portrait of Ross in L.A.) - Felix Gonzalez-Torres, 1991
From the Art Institute of Chicago:

Felix Gonzalez-Torres produced work of uncompromising beauty and simplicity, transforming the everyday into profound meditations on love and loss. “Untitled” (Portrait of Ross in L.A.) is an allegorical representation of the artist’s partner, Ross Laycock, who died of an AIDS-related illness in 1991. The installation is comprised of 175 pounds of candy, corresponding to Ross’s ideal body weight. Viewers are encouraged to take a piece of candy, and the diminishing amount parallels Ross’s weight loss and suffering prior to his death. Gonzalez-Torres stipulated that the pile should be continuously replenished, thus metaphorically granting perpetual life.

cavetocanvas:

Untitled (Portrait of Ross in L.A.) - Felix Gonzalez-Torres, 1991

From the Art Institute of Chicago:

Felix Gonzalez-Torres produced work of uncompromising beauty and simplicity, transforming the everyday into profound meditations on love and loss. “Untitled” (Portrait of Ross in L.A.) is an allegorical representation of the artist’s partner, Ross Laycock, who died of an AIDS-related illness in 1991. The installation is comprised of 175 pounds of candy, corresponding to Ross’s ideal body weight. Viewers are encouraged to take a piece of candy, and the diminishing amount parallels Ross’s weight loss and suffering prior to his death. Gonzalez-Torres stipulated that the pile should be continuously replenished, thus metaphorically granting perpetual life.

theories-of:

Sarah Lucas, Spamaggedon (2004)

theories-of:

Sarah Lucas, Spamaggedon (2004)

Egon Schiele

Egon Schiele